From the people in the streets, to it's root causes, The Invisible Class will forever change your perception of homelessness in America.

A WALK THROUGH THE TENDERLOIN is a short film out of THE INVISIBLE CLASS, a feature length documentary about America's homeless population, our perceptions of it, and the devastating effects of a lack of affordable housing on modern society.

Three women. One same age. Three ways to face it.

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell. In the video, a woman, dressed in black with a white over shirt, stands in front of a long blackboard. The classroom’s rear walls and floor are covered in taut white fabric, given the room the sinister appearance of a sanitarium or a crime scene. Six bodies lay across the floor on silver morgue trays, their features all but obscured by gently draped white sheets. The woman at the front of the class begins to lecture to the lifeless bodies with a clear and calm diction. As she turns to address the rear wall, she grabs the chalk and writes her topic on the blackboard: death. She then proceeds with her monologue, discussing how death is addressed and approached from various historical, cultural, and philosophical perspectives. She occasionally addresses the lifeless bodies, imploring them to share their own perspectives and experiences. She continues to speak, undeterred by the lack of response or reciprocity. Deliberately absurdist in its premise, Rasdjarmrearnsook’s video parodies pedagogical conventions, and the metaphor here of the corpse-as-student plays off humorous tropes of being literally “bored to death.” But in opening a conversation about death – which is often considered too taboo to casually discuss in many cultures (and particularly in the West) – Rasdjarmrearnsook also questions how we treat conversations around mortality in public discourse and how those dialogues, while vital, all too often fall upon deaf ears until it is too late.

Inspired by the original 1897 novel by H.G. Wells, the pilot film depicts Daniel Westin working for a company called the Klae Corporation, which is doing experiments in teleportation. He discovers the side effect of his work is the ability to turn objects invisible.

A leader from organized crime is targeted by an invisible man.

Made for Russian television version of the Invisible Man, based on the novel by H. G. Wells.

A father and daughter involved in the investigation of a murdered teenage girl in the picturesque fictional town of Cárdena, set in Andalusia. The two are forced to put their differences aside and to succumb their tense relationship in order to solve the murder case rocking a supposedly peaceful town, where all inhabitants are suspects.

"Scene opens showing interior of woods in India. In the centre is displayed a native altar of worship. The high priest enters, and at his command enter two native slaves, whom he commands to remove the pedestal in the centre of the alter. In its place he places an urn; with a few mysterious passes he causes flames to issue forth, to the consternation of his servants. He then throws a magic powder into the flames, and there appears, after the explosion, a beautiful vision of Siva the Invisible, who mysteriously ascends to the centre of the altar; and, before they can admire her beauty, she fades away into space. Not to be outdone, the priest makes a few more passes, and gradually there appears in the place of Siva a Hindoo princess. Both the priest and the servants fall on their knees to worship her. She immediately takes her place on the pedestal, and to the alarm of all turns to the stone statue of Buddah, the Hindoo God. They flee in terror."

An aristocratic but destitute southern family attempts to swindle an insurance company by faking the theft of a valuable emerald necklace. The company assigns operatives Eve Rogers and Mike Regan to the case.